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Peavey ValveKing II Micro-Head Review

May 14, 2014 by · Leave a Comment 

Peavey Valveking 2 guitar amplifier review
When it comes to rocking it out on stage or in the studio, you need a reliable amplifier that can provide that big tube tone. In this regard, Peavey’s ValveKing II Micro-head seems to be on everyone’s lips.

Boasting top-of-the-line features such: as a switchable 20W/5W/1W power output, three 12AX7 tubes, pair of EL84 power tubes, and a USB recording output. The Peavey Valve King II micro may be what you’ve been looking for.

In this Peavey ValveKing II review, we examine whether this unit is worth your money. Read more

Enter To Win a Slash Signature Gibson Guitar

May 9, 2014 by · 10 Comments 

Enter To Win Gibson Les Paul Guitar

Here’s your chance to win a $3,000 Gibson (Slash Signature Rosso Corsa) Les Paul. This axe has a beatiful AAA-grade maple top. This Slash Signature Les Paul is built on a foundation of the same traditional tonewood combination that helped to make the Les Paul Standard legendary when it first arrived six decades ago. Read more

Nashville’s Must-Stop Music City Guitar Shops!

May 5, 2014 by · Leave a Comment 


Mom & Pop guitar shops are a treasured rarity in the fast-paced world we find ourselves living in today.Screw Guitar Center! Check out Gear-Vault’s Must-Stop Music City Mom & Pop Guitar Shops in the Nashville area that ooze that Southern hospitality we all crave!

Gruhn Guitars

Top Guitar Stores In Nashville Tennessee Read more

Fender Road Worn Series Guitars and Basses

March 1, 2014 by · 1 Comment 

Road Worn 60s StratocasterFender first revealed the Road Worn Series guitars and basses at the Winter NAMM 2009 show four years ago, and seemed to have been a hit. These axes are for players who desire that banged up, beaten, used and abused vintage relic’d appearance but don’t have the spare $2,000 – $3,000 for a Fender Custom Shop Time Machine relic, let alone the cash to purchase an authentic vintage Fender. Read more

Legends of Gibson Vintage Semi-Hollow Body Guitars

February 13, 2014 by · Leave a Comment 

Vintage Gibson ES-335 Semi-HollowbodyIn 1958, Gibson brought the ES-335 into the world in response to Jazz Players whose hollow-bodied git-boxes howled with feedback. Looking very much like a traditional thinline hollow body, the 335 had a center block of maple that cut feedback while it spawned a far-flung family of subtle, genetic variation, such as Gibson’s Vintage ES-345, ES-347, ES-350 and ES-355 models, Epiphone’s Sheraton, Casino and Riviera guitars and a slew of close relatives and out-and-out clones by virtually every guitar maker in existence. Read more

Win a Gibson ES 335 Electric Guitar

February 13, 2014 by · 8 Comments 

Gibson Joe Bonamassa 335 electric guitar
Here’s your chance to win a beautiful Gibson ES 335 Semi-Hollow body Joe Bonamassa Signature Model guitar! This guitar values at around $3,300 big ones.

Contest ends April 4th

Don’t be stingy! “GET ACCESS” by Tweeting, Like us, or +1 us to share this giveaway with your friends. After you share and get access, you will see the “ENTER TO WIN” button. After you click “ENTER TO WIN” just enter your email

Video: Gibson ES-335 Joe Bonamassa

See this guitar in action!

Sexy Gibson ES 335
Gibson Joe Bonamassa 335 guitar

Jackson Kelly KE3 Pro Hands On Review

January 16, 2014 by · Leave a Comment 

Jackson Guitar Review: Jackson KE3 Skull Guitar
Jackson guitars have always offered aggressive looks and sound coupled with high-quality workmanship. Their KE Pro series brings all the upscale Jackson elements to a very attractive price point. Based on the Kelly, the KE3 has a sharply chiseled Explorer-like body shape, with Jackson’s signature pointy headstock. The nearly -$1,400 difference between Marty Friedman’s favorite axe and the KE3 is really not so huge: the tremolo is a JT580LP Floyd Rose License, not original; the pickups are Seymour Duncan’s Jazz and JB and the neck is bolted on, all of which add up to a great deal.

The Jackson KE3 has an alder body and a maple neck of wide, oval proportions. The headstock is attached with a scarf joint behind the fist two frets, adding strength at the nut—an important detail when dealing with the extra routing necessary to accommodate a locking nut. The rosewood fretboard is fitted with 24 wide, near-jumbo frets, which are superbly crowned and polished. Jackson’s trademark “shark fin” inlays, done in a rich pearloid plastic, are inlaid to the neck with admirable neatness. Our review model arrived dressed in Black (Transparent Red, Blue and Black are also available as well as Cobalt Blue, Swirl and Skulls), all black hardware, including black tuners, and black locking nut and tremolo and a single black volume knob.

Plugged in, the KE3 really came to life. The Seymour Duncan Jazz SH2N and JB TB4 pickups, in neck and bridge position respectively, are bold and brawny, high-output humbuckers with a hard-assed bite that can be felt even through clean amp settings. But don’t peg them as one-trick ponies: each pickup alone offers some enticing colors, particularly with the volume rolled back a couple of notches, and the combinations of the two makes for a fine clean rhythm or lead tone.

But let’s face it, the axe was made to cut eardrums, and so most of my playing time was spent with the KE3 pumped through a Marshall JCM800 and a ProCo Rat distortion pedal. The resulting sound was capable of rearranging furniture and small pets in the house across the street. The bottom end on this guitar is something the U.N. should sanction. Muted rhythms take on a tribal percussiveness, and leads sound like they’re doubled with tap-dancing gorillas. The treble had to be rolled back a bit from my usual “everything on seven” setting, however, since a hint of microphonic squeal could be coaxed from the pickups with a tap of the pick. Still, the KE3 delivers some awesome muscularity along with radical good looks and solid craftsmanship.

For those who wish to single eyebrows and swill Jaegermeister on a Budweiser budget, Jackson’s KE3 Pro is your weapon of choice.

Jackson KE3 Guitar In Action!

Brief Facts About the History of Fender Guitar Amplifiers

November 1, 2013 by · Leave a Comment 

fender-guitar-amp-57-ChampThe introduction of Fender amplifiers almost coincided with the company’s electric guitars in the mid 1940s. The earliest venture into the amp market by Fender was marked by the production of what they named the “Tweed Amps” which had an output ranging from three to seventy five watts. However, these amplifiers had an inbuilt Read more

Schecter Seven String Guitar Series – Schecter C-7

October 14, 2013 by · 3 Comments 

Schecter C-7
Baggy pants? Check. Pimpin’ Adidas? Check. Natty dreads? Check. Turntable-thrashin’ DJ? Check. Seven String? Hello? Seven String?

Even if you’ve got all of the other required accouterments, you’ll be hard-pressed to make it big with that psychotically low, funky, hard-music grind that’s all the rage these days if you’re not packing a seven string. In the past, chugging on the low E string used to be enough to make you a contender. But now, with bands like Limp Bizkit mining sinister new veins of metal and settings a new standard for heaviness, you’re likely to be written off as a lightweight if you can’t summon up that deep, spongy rumble. Until recently Ibanez has been the only mass manufacturer of seven-string solidbodies, but the Schecter Diamond and Hellraiser Series offers a new, affordable contender for players who want to hit below the belt. Read more

Carvin ST300 Guitar Hands-On Review

August 29, 2013 by · 1 Comment 

guitar reviews, carvin guitars, electric guitar

Carvin is thrilled to introduce their latest model, the ST300. This new model offers the features and choices of Carvin’s contemporary Custom Shop guitars with the timeless body shape that they offered back in the early 1990s. The body is more circular than the legendary DC series and has a waist and forearm cutaway for playing comfort, as found on the Contour 66. The Carvin ST300 model reflects Read more

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