Gear Vault
11 Guitars That Sound Like the Future
January 11, 2013 by Josh Tanner · 1 Comment
People in the 1950s thought that we’d all be wearing jetpacks and driving flying cars about now. But did they bother to predict what kind of guitars we’d be shredding on? No, they didn’t. Probably because they couldn’t imagine just how hard these eleven axes would rock. From robot-tuning to synth access, these guitars will have you dreaming of the possibilities.
First up is the Gibson HD.6X Pro Digital Guitar, an instrument that’s capable of making each string sound completely different than every other. Using fancy tech and hexaphonic pickups, the signal from each string is pushed through and Ethernet port to a computer, where you can tailor the sound, EQ and wave-shape. And did I mention that you can put a different effects signature and amplification on each string? Even though this guitar came out in 2007, it’s still pushing the envelope even now. Read more
Tags: Guitars of the future, future guitar,The Audible Frequency Range and Describing Tone
October 26, 2011 by Chaz · Leave a Comment
As guitarists, most of us sooner or later find ourselves in pursuit of tone. A talented guitarist can find a way to make anything sound good, but there should be no doubt that our equipment and the tone it provides can inspire and help fuel our creativity. In pursuit of tonal inspiration, we need to develop a vocabulary to help us find what we’re looking for in our sound. Read more
PRS SE Custom 24 Review
May 11, 2011 by G-v Rover · Leave a Comment
Do not think of the Paul Reed Smith SE Custom 24 as an “economical” guitar. Think of it as an awesome electric guitar for guitarists on a budget.
Ever since the mid 80′s, Paul Reed Smith Guitars have earned a respectful reputation for their instruments, which are known for being excellent sounding, effortless to to play, and, all too often, high priced. Comparable to most guitar manufacturers, Paul Reed Smith have released a low-priced series of guitars to render PRS instruments more reachable to a broader crowd who may not otherwise be able to afford a Paul Reed Smith axe. With this series, the Korean-made SE Custom guitars, have been very well received by guitarists on a budget.
PRS’ original axe was the Custom 24, so, of course, it’s only appropriate that one of the finest SE guitar models is the SE Custom 24, a lower-cost version of the original Custom 24 flagship electric guitar. It priced nearly at a quarter of a “original” PRS Custom 24, so how do they compare? Read more
Tags: PRS SE Custom 24, PRS SE Custom 24 review, prs se custom 24 reviews, PRS SE CUSTOM 24 made in Korea, psr se 24 custom reviews, prs se custom reviews, prs se custom guitars, 05 prs se custom, prs se custom, prs sc 58 artist package independent reviews,Gibson Jackson Browne Acoustic Guitar
May 5, 2011 by Paul Heller · Leave a Comment
On January 12, 2011, the Jackson Browne Signature Gibson acoustic guitar was unveiled at the National Association of Music Merchants (NAMM) winter show in Anaheim, California. Hearkening back to Gibson’s revered Roy Smeck models of the 1930′s, Browne’s baby took the better part of a decade to complete, as he went back and forth throughout the process with the Gibson Montana Acoustic Master Shop up in Bozeman, Montana. Read more
Les Paul Innovations: The Man Behind The Music
April 11, 2011 by Steve · Leave a Comment
The world has seen many advances in music technology in recent years, but if you dig down about 80+ years ago, you’ll find a young curious boy tinkering with electronics. He would be the reason that the solid body guitar and multi-track recording exists. His name was Les Paul.
At the age of eight years old, Les Paul was interested in music, and started off playing the harmonica. Fast forward 11 years, and he was in Chicago, playing on the radio. Les had an avid ability to hear things that others did not, and appealed to listeners all around. Playing mostly country and jazz, Paul had always been playing on archtop guitars, because that’s all that existed. This would all change soon enough.
Les didn’t enjoy the sound of the archtops. The body resonated the sound of the strings too much, and made the instrument feedback when playing at louder volumes. He wanted to change that. Once he realized that a solid piece of wood would end this inconvenience, he invented what we now know as the Gibson Les Paul. The first version of the guitar was built in the Epiphone factory in 1940, and when Gibson decided to market it, it became an instant success. Without the Les Paul, who knows what Jimmy Page would have played… would it have been a Stratocaster? Read more
Ibanez RG870 and RG920 Premium Series Guitar Review
March 30, 2011 by G-v Rover · Leave a Comment
I have to admit right from the start that metal has never been my medium of choice; I prefer trem-bar bends in short bursts, not big bombs, and I like distortion to sound like distortion, not explosions. Read more
Danelectro ’56 Reissues Single Cutaway Guitar
February 15, 2011 by Chaz · Leave a Comment
Danelectro has announced the reissue of the classic Danelectro ’56 Single Cutaway Guitar. The Dano ’56 is available in a number of different options. Lovers of the Dano singlecoil sound can pick up a ‘coke bottle’ headstock model in black or red/black crackle.
A white version comes with gold hardware and the ‘bell’ headstock, first used in 1954 on the very first Danelectro logoed guitars. Meanwhile, those looking for a chunkier sound can pick up a ’56 with a single-coil in the neck and a humbucker at the bridge for [check for price]. Available in red, black and aqua shades, these models feature the slender ‘dolphin’ headstock, which also adorns the ’56 bass. Read: History of Danelectro Guitars Read more
Tags: danelectro 56 reissue, 56 danelectro reissue original headstock,Seymour Duncan Twin Tube Mayhem Guitar Pedal Review
February 12, 2011 by G-v Rover · Leave a Comment
WHO COULD HAVE imagined that a decades-old company solely devoted to pickup winding would suddenly set the guitar industry on tilt with masterfully crafted pedals like the Twin Tube Classic, Lava box, Power Grid, Shape Shifter and Tweak Fuzz. Never before has a specialized company like Seymour Duncan so successfully diversified its product line and received such high marks for its freshman effort.
Another great addition to the company’s stomp box line is the anxiously awaited Twin Tube Mayhem pedal. This is the Twin Tube Classic’s criminally insane brother, born of Duncan’s malicious intent and capable of terrifying acts of sonic aggression. Like the Classic, the Mayhem is more of a footswitchable tube preamp than a mere stomp box by virtue of its standalone ability to generate tube- derived gain and control a full-waveform signal, as opposed to only shaping or boosting portions of the sound to create a desired effect. Simply put, Duncan’s Mayhem conjures diabolic high gain like you’ve never heard from a pedal. Read more
Tags: seymour duncan guitar pedals,Reverend Guitars Rick Vito Signature Electric Guitar
December 21, 2010 by G-v Rover · Leave a Comment
Reverend Guitars announces the release of their latest signature model, designed in collaboration with Grammy-nominated rock and blues artist Rick Vito. Known for his tasteful and versatile chops, Rick is a former member of Fleetwood Mac and has worked with Bonnie Raitt, Jackson Browne, Todd Rundgren, John Fogerty, Bob Seger (that’s Rick on the “Like A Rock” slide solo), Roger McGuinn, John Mayall, Hank Williams Jr., The Mick Fleetwood Blues Band, and many others. Read more
Guitar Smashing Tips – How To Destroy Your Instrument
You are true blue musician, a lover of all things sound related, and a consummate professional. Naturally, you’re going to want to destroy your guitar or instrument as part of your live show. Read more
