So you want to learn guitar? Why not start off with one of the all-time greats, which is also a song on our ‘easy guitar songs for beginners‘ list. “Enter Sandman” is a song by Californian heavy metal band Metallica. Produced by legendary producer, Bob Rock. Enter Sandman was released in 1991 as the lead single and the opening track of the band’s eponymous Black album. Kirk Hammett, Lars Ulrich and James Hetfield wrote the song, and Hetfield scribbled the lyrics. Read more
It’s hard to keep a band together for a year. It’s rare to stay together for 10 years. 20 is amazing. And 30, well damn… that’s a miracle.
30 years ago, after a few ads in the local newspaper, and some wise firings, 4 nobodys formed what would be a thundering shockwave that would resonate throughout the musical community and rattle the very foundation of popular music. Metallica formed on October 15 1981. Read more
ESP / LTD Guitars — New Signature Series Models from Metallica’s Guitarists and vocalist, James Hetfield. Your eyes aren’t deceiving you. The James Hetfield Snakebyte is a brand new body style for ESP and LTD in 2011. Read more
From ass-kicking Metallica epics like “Master of Puppets” to new monsters like “Cyanide,” riff master James Hetfield’s venomous style has inspired many. Preferring picks with a bright tone and biting attack, James Hetfield looked to Dunlop for the perfect tool for his fierce downward picking style. Based on a vintage tortoise-shell pick, the Black Fang is made of tough, sturdy Ultex material with a defined tone and sharp attack. Read more
Brian Vodinh is one of the founding members of alternative metal band, 10 Years. He started off as the drummer for the band, but later switched to guitar. Some of his band members say he is a guitarist first, a drummer second.
Brian started taking guitar lessons at the age of 11 years old. He grew up around music as his father was a first-chair violinist in a symphony orchestra and his mother was a huge Elvis Presley fan. Brian says growing up with rock ‘n roll meets classical helped shaped his style.
Brian’s guitar influences growing up was bands like Deftones, Metallica, and Korn. Brians says you can hear a James Hetfield-style in his guitar playing, especially in his right hand attack. What helped him develop that style was his determination to learn Metallica songs, especially Master Of Puppets at the age of 13. See pictures of Brian Vodinh’s gear taken from the Carnival Of Madness Tour at the DTE Music Theatre in Clarkston Michigan.
Brian Vodinh’s gear list
- Talor Standard Guitars (single cut)
- Demeter TGA-2 guitar amplifier
- Bogner Custom Shop Shiva guitar amplifier
- Roland JCM120 2×12 combo
- Bogner 4×12 speaker cabinets
Metallica and Megadeth are both thrash metal pioneers who helped usher in the modern era of heavy metal and both bands have enjoyed great success and popularity amongst rock music fans the world over. The question before us today is simply which band is better, which is a subject sure to cause much controversy and discussion. Both bands are part of the Big Four (along with Anthrax and Slayer) that redefined metal music in the 1980’s and provided an alternative to the many hairspray-addicted bands that dominated the radio during that time. Both bands have maintained long careers and kept their identities and their fan bases through up and down periods and the inevitable lineup changes that most bands with such long histories must endure. Read more
Lars Ulrich of Metallica promises that fans will hear “a lot of new songs” from “Death Magnetic” on the band’s upcoming tour, which begins production rehearsals this coming Monday in San Francisco and kicks off October 21 in Glendale, Ariz.
“These new songs are a lot of fun to play,” says Ulrich. “Traditionally I think we’ve been a little conservative when we’ve started off with two songs, three songs (from the new album). We’re going to hit the ground running here. We’re probably gonna learn all of them and play, I hope, at least five a night and probably rotate ‘em so we get a lot of new songs in. That’s one thing I’m definite about.”
Metallica is happy to have dates booked as late of August of 2009, will again be playing in the round, though Ulrich says the production will be “a completely different thing than what we’ve done before.” He says that there will be “a big-ass fuckin’ lighting rig above us, and there’s some pretty cool stuff up there. There’ll be some shit that turns on and off and some shit that blows up… the usual stuff.”
Ulrich says the band is also similarly enthused about the reception to “Death Magnetic,” Metallica’s first set of new material since 2003’s “St. Anger.” The album topped The Billboard 200 for three consecutive weeks and has sold a million copies already in the U.S. and 2.5 million around the world.
“It’s just an overwhelming, positive thing,” Ulrich says. “You couldn’t have told me a month ago or six months ago that we would have a record that would be this well-received. It seems like it’s so universal this time and it’s all over the world and everybody’s so into it on so many different levels–the fans, press, the peers… everybody.”
“I’m a little overwhelmed, humbled… and certainly appreciative. When you put out a record twice a decade, which is kind of what we find ourselves doing these days, you bask in it a little bit.”
Of course you are Lars, you’re selling lots of albums and have shows booked into August 2009. Glad the album is a success.
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When Kirk Hammett, the lead guitarist of Metallica, was asked about his gear and tone for their new Death Magnetic album, this is what he had to say.
“I’ve added more midrange to my over sound. I can still appreciate my original scooped sound, but I need to feel the ground shake when I hit a chord. It hasn’t been any radical change in gear as much as it’s been a change in EQ. For Death Magnetic I used what I always use, which is my standard touring rack, which is filled with some [Mesa] Boogie stuff and a Marshall that I’ve had forever. I also used the new Randall amp that I helped design and Greg Fidelman, our engineer, turned James [Hetfield] and me onto Ampeg heads. Ampegs made incredible guitar heads in the early Nineties and then stopped. And I don’t know why. The one we used had a nice clean, warm sound, and it blended well with the other amps that were in the studio. Read more