In the beautiful city of New York, the Big Muff, which acts as a guitar pedal that can distort fuzz sounds, became very well-known. The Muff was created, introduced and manufactured by Electro-Harmonic Company (EHX) together with its sister company, the Russian Sovtek. Primarily the Big Muff was used for electric guitars but later bass guitars also were able to make use of such a powerful yet tiny machine. The Big Muff guitar pedal was invented by Mike Matthews and introduced in the early 1970s. Carlos Santana and David Glamour were the two artists who first used this guitar pedal. Read moreTags: big muff hendrix srv, big muff pedal history, electro harmonic deluxe muff, electro harmonix 12axt price, electro harmonix history, jimi hendrix gear, star uses big muff, sweet water music automatic bass machine that follows guitar cords stomp box, thunderdrive deluxe clone,
Whether its the hands of a sculpture, the pen of a writer, or a voice of a singer, the ability to shape an artistic medium contributes wildly to the captivating nature of art. Nowhere is the impact of shape more relevant than in the history of B.C. Rich, an all American guitar company. Like any successful company, the founder, Bernado Chavez Rico, had a strong personal connection with his product, a connection which helped him to understand the colossal significance of shaping both tone and design in modern day music. As a celebrated Flamenco and Classical style guitarist, Bernie’s knowledge of the extreme degrees of tone, playability, and uniqueness demanded by top notch musicians from their instruments certainly played a consequential role in developing what would become choice company of Aerosmith, Slayer, and numerous other players. But famous clients such as these are not how B.C. Rich began; no, it began instead in a cramped workroom in East LA. Read more Tags: bc rich, b c rich, kerry king, BC Rich guitars, bc rich guitars history, how many bc rich guitars are sold each year, electric guitar v shape, electric guitar shapes, bc rich mockingbird history, 1980 BC Rich Bich supreme,
Here’s a great review by our friends over at musicradar.com, here’s what they had to say about this rockin’ lil’ amp – It wasn’t long ago when we first tested the Mesa TransAtlantic TA-15, well now bigger brother, the TA30, is here. It’s called TransAtlantic because it spans classic British and US tones, specifically Vox-inspired when it comes to cleans and crunches in channel one.
Then in channel two it’s a brief sojourn into mid-gained Marshall territory (Hi One) flanked by Mesa Boogie’s more common post-Fender clean (Tweed) and high-gain tones (Hi Two), direct from the US of A: five modes in total.
The main rotary controls are straightforward; the only one requiring further explanation is the cut/master in channel one. When pulled out it’s a master volume for the channel, and when pushed in becomes tone cut (essentially a master presence) control very similar to what you’d find on a Vox AC30. Read moreTags: mesa boogie transatlantic ta-30 review, mesa boogie transatlantic review, mesa boogie ta-30 review, mesa boogie ta-30 reviews, mesa ta 30 review, Review of Mesa ta30, mesa boogie transatlantic ta-30, mesa boogie ta30 review, mesa ta 30 transatlantic 30 r reviews, Mesa/Boogie TransAtlantic TA-30,
The Ibanez JS2PRM is an extremely unique and extremely rare instrument in the guitarworld. The JS2PRM—PRM stands for (Premium Rock Mirror)—which is a high-tech finish that was designed to look as if it was carved from a solid chunk of polished metal.
In 2005, the JS2PRM was Ibanez’s third attempt to recreate the chrome guitar. Ibanez’s first two attempts, the JS2 and the JS10th, both were unsuccessful due to finish problems. The process of bonding a chrome finish onto a wood bodied guitar is an extremely difficult process. The JS10th (2nd attempt) a luthite body was used, which is similar to plastic, and the results were better than the original JS2 Chromeboys, however, they were still beset by water marks and peeling and sounded nowhere near as good as the basswood body. Read moreTags: электрогитара, ibanez joe satriani history, ibanez js2prm review, Joe satriani guitars,
Given the variety of instruments and to top that the number of brands that are available can make selecting the right Guitar Bass Pedal a real nightmare! This guide will attempt to make your buying easy and simple for you. For the most part you only need to go in for the amplifier that falls within the price range within which you are willing to operate, compare a few products that are available and you are pretty much set. Read moreTags: guitar amp buyers guide, buyers of amplifiers, guitar amp to be used at home with drummer within the amp,
I’ll admit it. I love pop metal: Bon Jovi, Poison, Motley Crue, Def Leppard. Bring on the cheese. I’m in. Despite the fact that much (though not all) of the music was awful, I still enjoy it today. Pop metal was the soundtrack for a good portion of my childhood. There was an honesty to it. That’s right. I said “honesty.”
Conventional wisdom says that music from the late 80’s was too “fake.” Too much hairspray, too many cookie cutter songs, too many of the same “sluts and concert footage” videos on MTV over and over again. Fake. Then the bands from the Seattle grunge scene (Nirvana, Soundgarden, Pearl Jam, etc.) broke the mold and supposedly fixed everything. These bands were “real.” They wore flannel shirts, didn’t jump around on stage, wrote depressing songs and generally connected with the anti-corporate rock sentiment that had been building throughout the pop metal era.
I am not here to tell anyone what’s good music and what isn’t. I am here, however, to overturn the hypocritical notion that pop metal bands were “fake” and grunge bands were “real.”
Pop metal bands wanted to be rock stars, and freely admitted it. Pop metal bands wanted to have sex with lots of girls (your wife, girlfriend, daughter, etc.) and freely admitted it. Pop metal bands wanted to party and smoke / drink / snort various substances, and freely admitted it. They wanted to be rock stars so badly that they were willing to pay the ultimate price: being seen and photographed wearing a horrific amount of spandex, makeup and hairspray. They played huge stadiums, sold tons of records, and cashed huge checks.
That is the ultimate honesty… “I want to party, get rich and bang chicks, and I will look and act like a complete idiot in order to do so.”
Grunge bands, on the other hand, stared at their shoes a lot. They were part of a reactionary movement against the extroversion of the 80’s. Grunge bands were uncomfortable with the idea of being rock stars, or at least projected that image. They wrote songs about darker, often politically charged topics like teen suicide, domestic abuse and poverty. They played huge stadiums, sold tons of records and cashed huge checks.
Wait… what?!?!?!?I’ve got an idea. If you’re uncomfortable with the idea of being a rock star, then don’t be a rock star. Don’t sign a major label recording contract. Don’t play arenas and stadiums. Definitely don’t cash those huge checks. Only rich capitalist a-holes (you know, all those people you don’t like) cash huge checks. Stay with that independent label and stick to the local underground scene. It’s “who you are,” right? RIGHT?!?!?
OK, rant over. That’s been building up for about 20 years.
Again, I’m not here to pass judgment on the quality of anyone’s music, but merely to point out that being a rock star yet clinging to an underdog, everyman, indie label image while at the same time going platinum and playing to tens of thousands of people a night is the fakiest faky McFake-a-lot hypocrisy of all time, at least musically speaking.
There. I said it. Deal with it.
About the author: Dan Vuksanovich received his Master of Music degree in classical guitar performance from the Peabody Conservatory of The Johns Hopkins University in 1999. He currently teaches and blogs about how to get better at guitar via his website, www.whyisuckatguitar.com.Tags: GrungeMusicvsHairBands-WhosRealvsWhosFake|Gear-Vault, grungevs hair metal, hair metal vs grunge, hypocrisy of grunge,
Two of the most revered guitar players in the blues/rock universe are Jimi Hendrix and Stevie Ray Vaughan. Both men helped define the sounds of their respective eras and are icons of the instrument and are most likely responsible for launching more guitar-playing careers (both real and air) than any post-Beatle guitarist outside of Eddie Van Halen. Today, however, your humble man of letters here at Gear-Vault has been given the difficult task of pitting Jimi and SRV in a head-to-head battle for musical supremacy, which is truly no easy task. In the flyover, both man share many similar qualities, from their explosions into public consciousness to their preference for Fender Stratocasters to their untimely deaths. When examined more closely, however, there are some major differences between the two that just might give one the edge over the other. Want to watch the fur fly? Keep reading. Read moreTags: who was better hendrix or vaughn, van halen gear, stevierayvshendrix, stevie ray vs hendrix, stevie ray von jimmy hendrix rip off, Stevie Ray Vaughan vs jimmy hendrix, stevie ray vaughan vs jimi hendrix, stevie ray vaughan hedrix, stevie ray vaughan better than jimi hendrix, Stevie Ray Vaghn skill vs Jimi Hendix skill,
Hello Gear-Vault readers, ’tis the season for that wonderful eggnog, beer and rock ‘n roll! Nothing like getting a few extra days off from work and/or school to spend time with family and loved ones to celebrate the birth of Jesus H. Christ. This time of year should give you a little extra free time to brush up on some mad guitar chops and maybe learn some new guitar chords and guitar songs that aren’t already in your arsenal.
I thought it might be fun to compile the top 5 Christmas guitar songs on YouTube from guitar shredders all around the world to set the tone of our holiday spirits. If you like these videos please comment and share with your friends on Facebook, Twitter or whatever social tool you may or may not use frequently. Read more
You have just started to play guitar or you are still learning it and having a hard time learning it. Don’t worry even the guitar geniuses went through same phase once. You can achieve success here by choosing simple songs to practice but you will also need to have proper skills to play those guitar songs correctly. Your selection plays a deciding role in you success or failure here, so it is important to have basic knowledge of guitar when you go for more difficult techniques Read moreTags: basic easy guitar chords for girls and love songs with finger, learn guitar by learning songs?,
Carlsbro is among the most famous names in British guitar amplification and has been designing and manufacturing guitar tube amps since 1959, selling its early models to Jim Marshall’s shop in Denmark Street, London’s famous ‘Tin Pan Alley’.
The famous 50 Top and TC series revives the Carlsbro tube heritage, with uncompromising build quality, hand selected components and authentic vintage tone throughout. The 50 Top head and 4 x 12 cab are available in classic red and black liveries, while the TC series comprises three classic combos and a 15 watt head and 1×12 stack.
The re-issued 50 Top is the classic Carlsbro tube head and cab of the 60s and 70s revamped and re-engineered to even higher build standards and sonic performance. The new twin channel amp head has switchable channels & two master volumes, which are footswitchable.
The valve complement of 4x 12AXT’s and 2x EL84′s give 50 watts of incredible power at 8? or 16?’s. The preamp has a host of features including Hi and Low sensitivity inputs, 3 band EQ using Silvered Mica Capacitors, and ‘Sleep Mode’ automatic muting with no input present. Tough ply construction, with durable covering and metal corners are essential for road use. Jack outputs are 2 @ 8? and 1 @ 16? allowing a wide choice of cabinets. Read moreTags: carlsbro tc15h review,