Fight Club: Big Amps vs. Little Amps

October 27, 2015 by · 6 Comments 

Mesa Boogie Transatlantic TA-15There seems to be an awful lot of interest these days in tube amps that put out lower amounts of power, especially in more boutique, cork-sniffing circles. Just about every amp company has some kind of lunchbox-sized head or ankle-biter combo that puts out five to fifteen watts of power, it appears, and many players are taking the bait and paying top bucks for these little guys. Devotees of these things claim that “five watts is plenty to gig with” and they are more than able to hang with a drummer. Personally, I have a hard time with that statement. Read more

Peavey 6505 vs Bugera 6262 – Which is better?

October 27, 2015 by · 10 Comments 

bugera 6262 vs peavey 6505

First up in this tube guitar amplifier shootout is the Peavey 6505+ (aka Peavey 5150) – Peavey 6505+ 120W Guitar Amp Head is great for hardcore or metal players. SIX – 12AX7s in the preamp add up to even more terrifying punch and mind-rattling gain. Read more

PRS SE Custom 24 Review

October 26, 2015 by · 3 Comments 

PRS SE Custom 24 Guitar Review - Paul Reed SmithDo not think of the Paul Reed Smith SE Custom 24 as an “economical” guitar. Think of it as an awesome types of electric guitars for guitar buyers guide.

Ever since the mid 80’s, Paul Reed Smith Guitars have earned a respectful reputation for their instruments, which are known for being excellent sounding, effortless to to play, and, all too often, high priced. Comparable to most guitar manufacturers, Paul Reed Smith have released a low-priced series of guitars to render PRS instruments more reachable to a broader crowd who may not otherwise be able to afford a Paul Reed Smith axe. With this series, the Korean-made SE Custom guitars, have been very well received by guitarists on a budget.

PRS’ original axe was the Custom 24, so, of course, it’s only appropriate that one of the finest SE guitar models is the SE Custom 24, a lower-cost version of the original Custom 24 flagship electric guitar. It priced nearly at a quarter of a “originalPRS Custom 24, so how do they compare? Read more

Bass Guitar Shopping on a Budget

October 25, 2015 by · 2 Comments 

Beginner bass guitar music store reviewWhen last we met, I told y’all of my plan to check out beginner basses. Well, as I’ve dug deeper into the subject, I’m finding that there are a LOT of good basses out there that are very affordable. Yes, they’re made offshore in places that one wouldn’t think of as instrument making Mecca’s, but a good CNC machine really doesn’t give a rat’s behind where it sits. Read more

Danelectro Dead On ‘67 Guitar

September 1, 2015 by · Leave a Comment 

Originally published on: Jul 17, 2009 @ 3:05pm

Danelectro Dead On ‘67 GuitarDanelectro guitars have long been known as great, affordable instruments and many guitarists have used them for everything from entry-level department- store thrillers to character-filled alternatives to the more commonly seen Gibson/Fender/Gretsch axes we all know and love. Dano’s thing is keeping their retro vibe alive. They maintain the style and feel they have always had and, in a world of constantly shifting styles of guitars, they remain a touchstone to the classic rock era. Their new Dead On ’67 continues this tradition in fine form, taking its cue from the Hornet Series H2V6 instruments the company made from 1967 to 1969, albeit with some deviations from the original specs.

See the Danelectro Dead On ‘67 Guitar demonstration video belowRead more

ESP Guitars: History of ESP Guitars

July 24, 2015 by · 2 Comments 

History of ESP GuitarsElectric Sound Products (ESP) Company was created in the year 1975 by Hisatake Shibuya, a resident as well as a businessman from Tokyo, Japan. Shibuya started as a manufacturer and a producer for the replacement parts of guitars. This firm was very well known for the high-quality parts. After a year of gaining such reputation, ESP started to engage with the designing and creation of guitars. ESP entered the Japanese market, later expanded and took their chances into the global market of guitar industry. Entering the US market in the year 1983, ESP Company started designing for local artists in New York from 1984 to 1985 where they had already introduced about 400 Series as their primary introduction of products in the US market.

Among the local artists were Ronnie Wood of the Rolling Stones, Page Hamilton of Helmet, Bruce Kulick of KISS, Vernon Reid of Living Colour and Vinnie Vincent. Creating and producing guitars for these artists was there effective way of becoming more popular with bands from other countries. At the same time, ESP Company also started to make the necks and bodies of Kramer. During a tour in Tokyo in the year 1986, George Lynch found out about ESP guitars when he walked into one of the shops, looked around for a replacement part and later, he found out that ESP Company is able to customize guitars. Read more

Vintage Guitars vs Just Plain Old Guitars

May 28, 2015 by · 3 Comments 

Vintage Guitars vs Just Plain Old Guitars There is a lot of fuss made in the guitar community about so-called ‘vintage’ guitars, ‘vintage’ being another word for ‘old’. There is a certain part of our world that longs to play a 30-, 40-, or even 50-year-old guitar or bass for a variety of reasons. To be honest, there is something to this argument when it is applied to instruments that truly are products of what many to be the ‘golden era’ of guitar production in the USA which, if we combine acoustic and electric guitars, would be roughly from the 1920’s to about 1970.
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History of David Gilmour’s Black Fender Stratocaster

May 13, 2015 by · 3 Comments 

Pink Floyd The Black Strat

The black Strat as it looked in 1976 following Gilmour's substitution of the black DiMarzio FS-1 pickup. He added the neck with rosewood fretboard in June 1972, replacing the original maple neck.

The history of Pink Floyd has been told many times but never in the way that Phil Taylor tells it. His book, Pink Floyd, The Black Strat, A History of David Gilmour’s Black Fender Stratocaster, is a real-life rock and roll story filled with color and excitement, told through the vicissitudes and fortunes of a single musical instrument. The instrument in this instance is a black Fender Stratocaster belonging to David Gilmour, and the story is one of the greatest in the annals of classic rock Read more

Mesa Boogie Dual and Triple Recto Series

March 13, 2015 by · 3 Comments 

Mesa Boogie Dual RectoOne amplifier that is highly thought of in the rock guitar community is the Mesa Boogie Dual Recto. Despite its high price tag, many guitarists swear by this amp. Read more

Marshall 2203KK JCM800 Kerry King Head

December 27, 2014 by · Leave a Comment 

Marshall 2203KK JCM800When you take the amp that has been the source of pure rock and roll crunch for decades and mix it with one of the most powerful metal guitarists ever to unleash havoc on this planet, what do you get?

Give up? How about Marshall’s 2203KK. What’s the ‘KK’ for? Why, the loveable Mr. Kerry King from Slayer, of course! Did I say ‘loveable’? OK, perhaps not so much, but this amp sure is!

The 2203KK is essentially a modified JCM800, tweaked to Kerry’s specifications. The guys at Marshall took his threats… um… I mean, suggestions, and incorporated some very awesome features. Read more

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